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poster of The Docks of New York
Rating: 7/10 by 98 users

The Docks of New York (1928)

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

Directing:
  • Josef von Sternberg
Writing:
  • Jules Furthman
  • Julian Johnson
  • John Monk Saunders
  • Jules Furthman
Stars:
Release Date: Sun, Sep 16, 1928

Rating: 7/10 by 98 users

Alternative Title:
Die Docks von New York - DE
Docas de Nova York - BR
Los muelles de Nueva York - ES
뉴욕의 선창 - KR

Country:
United States of America
Language:
No Language
Runtime: 01 hour 16 minutes
Budget: $0
Revenue: $0

Plot Keyword: prison, new york city, ship, suicide attempt, habor
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George Bancroft
Bill Roberts
Clyde Cook
'Sugar' Steve
Guy Oliver
The Crimp
May Foster
Mrs. Crimp
Lillian Worth
Steve's Girl
Richard Alexander
Lou's Sweetheart (uncredited)
George Irving
Night Court Judge (uncredited)
John Kelly
Sailor Barfly (uncredited)
Charles McMurphy
Policeman (uncredited)
Bob Reeves
Court Bailiff (uncredited)

CinemaSerf

This is a beautiful example of the film-makers craft. Josef von Sternberg and Harold Rosson have created a thing of aesthetic beauty coupled with an interesting - if not especially deep - character study of two people George Bancroft ("Bill") and Betty Compson ("Mae)". The camera loves both of them - and interestingly for the late 1920s, it is not shy in illustrating the beauty of the male physique as well as the beauty of both Compson and Olga Baclanova ("Lou"). The story isn't really the main feature of the film: "Bill" is a stoker on the docks where he encounters a potential suicide victim - the disillusioned hooker "Mae" with whom he soon bonds - much to the frustration of his ex wife "Lou". It is almost totally devoid of sentiment, it is gritty, earthy and although to look at the pair, their love appears unlikely, it does engage with some almost crude, witty, interventions from "Lou" to keep the story entertaining as well as stylish. I am a fan of most of JVS's films - the "Scarlett Empress" (1934) being my favourite, but this one is up there...


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