The Beast (2024)
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.
- Bertrand Bonello
- Barbara Canale
- Thomas Dahirel
- Jade Gauriat
- Élodie Van Beuren
- Bertrand Bonello
- Henry James
- Benjamin Charbit
- Guillaume Bréaud
Rating: 6.3/10 by 131 users
Alternative Title:
野兽 - CN
Yaratık - TR
Amor Sin Tiempo - AR
La Bestia - AR
A Besta - BR
Звярът - BG
La Bestia - CO
Zvijer - HR
La Beast - IT
Bestia - PL
A Besta - PT
Предчувствие - RU
Звір - UA
La Bestia - VE
The Beast (La bestia) - ES
Country:
Canada
France
Language:
Français
English
Runtime: 02 hour 26 minutes
Budget: $8,400,000
Revenue: $760,979
Plot Keyword: factory, artificial intelligence (a.i.), drowning, paris, france, musician, paranoia, nightclub, trauma, medium, earthquake, satire, risk, female protagonist, los angeles, california, pianist, home invasion, period drama, death, based on short story, misogyny, flood, doll factory, mind alteration, humanity, 1910s, housesitting, 2040s, near future, incel, 2010s, dolls, emotion, actress, romantic drama
Though it's really way too long, I did rather enjoy the developing chemistry here between Léa Seydoux ("Gabrielle") and George MacKay's "Louis". The story isn't really structured, it's all largely dictated from her consciousness lounging in the bath of Guinness no longer needed by "Baron Harkkonen" where she is having her DNA cleansed. This is ostensibly to make her life happier and more fulfilled, to take the rough edges off disappointment and pain - and generally to turn her into a rather soporific drone. The thing is, whilst plugged in and gently soaking we discover that her brain isn't co-operating with the process and that she is having very lifelike fantasies - historical, contemporary and futuristic with the handsome and enigmatic "Louis". The story in itself isn't really up to very much. It's an episodic jaunt through what is/was/might be their lives - together and apart. What does work well is the ambiguity. The sense that artificial intelligence, either working on it's own or at the behest of humanity, can rearrange our thoughts and our memories. It can create as convincingly as it can delete comprehensively - and all because there is a sense that emotions are unpredictable, unreliable and therefore a threat to the stability of a new "natural order". The dialogue can meander into the realms of psycho-babble now and again which does detract from the subtle but clear thrust of the narrative, but it is actually quite a scary prognosis of what might become fact if we are not careful to protect what is real and important.
