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poster of Sweet and Lowdown
Rating: 6.785/10 by 500 users

Sweet and Lowdown (1999)

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Directing:
  • Woody Allen
  • Kay Chapin
  • Richard Patrick
  • Lisa Janowski
  • Brian A. York
Writing:
  • Woody Allen
Stars:
Release Date: Fri, Dec 03, 1999

Rating: 6.785/10 by 500 users

Alternative Title:
Acords i desacords - AD
甜蜜與卑微 - TW
Tekkelig og tarvelig - NO

Country:
United States of America
Language:
English
Runtime: 01 hour 35 minutes
Budget: $0
Revenue: $4,545,858

Plot Keyword: new york city, jazz, guitar, night life, egocentrism, jazz singer or musician, pretty woman

Sean Penn
Emmet Ray
Uma Thurman
Blanche Williams
John Waters
Mr. Haynes
Brian Markinson
Bill Shields
Daniel Okrent
A.J. Pickman
Brad Garrett
Joe Bedloe
Lola Pashalinski
Blanche's Friend
Steve Bargonetti
Musician Friend
Vince Giordano
Bass Player #1
Emme Kemp
Jam Session Musician
Clark Gayton
Jam Session Musician
Marcus McLaurine
Jam Session Musician
Joe Ambrose
Second Hobo
Paula Parrish
Party Guest
Cory Solar
Party Guest
Lexi Egz
Party Guest
Peter Leung
Party Guest
William Addy
Master of Ceremonies
Dick Monday
Chester Weems
Mary Stout
Felicity Thomson
Mr. Spoons
Spoon Player
Carol Woods
Helen Minton
Josh Mowery
Movie Director
Fred Goehner
William Weston
Eddy Davis
Bass Player #2
Ralph Pope
Panhandler
Earl P. McIntyre
Club Musician
James Williams
Club Musician
Frank Wess
Club Musician
Al Bryant
Club Musician
Ray Garvey
Club Manager
Sally Placksin
Sally Jillian
Simon Wettenhall
Jam Session Musician
Orange Kellin
Jam Session Musician
Brooks Giles III
Jam Session Musician
Chuck Lewkowicz
Police Officer
Rick Mowat
Flat Tire Man
Ted Wilkins
Gas Station Proprietor
Michael Sprague
Django Reinhardt

CinemaSerf

Presented in a documentary style, this drama looks at the life of the fictional jazz guitarist "Emmet Ray" (Sean Penn). Now, of course, he is American so is naturally the best in the whole wide world, well second best actually, and that is testified to by frequent obsequious pieces-to-camera from purported experts and then by his own performances as he plays standards from the likes of Django Reinhardt, the masterful Stéphane Grapelli and Duke Ellington. Director Woody Allen has a penchant for this style of music, and as faux-homages go this isn't at all bad. That's really thanks to a strong contribution from Sean Penn as the frankly pretty odious character who's selfishness was probably only eclipsed by his increasing obsession with the shy mute "Hattie" (a gorgeous effort from Samantha Morton) who comes to depend on him, but might he actually come to depend on her too - despite himself? It's a great looking film with plenty of attention to detail, and it does work well at illustrating just how important it is for people to have decent anchors in their lives. The dialogue is all a bit too relentless for me with very little time to come up for air as this rattles along but it's all genuinely and uncomfortably plausible at times, too. Pity about the constant hyperbole, though - how can anyone be the best guitarist? Hmmm?


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