Place of Birth: Prague, Bohemia, Austria-Hungary [now Czech Republic]
Francis Lederer
From Wikipedia, the free encyclopedia. Francis Lederer (November 6, 1899 – May 25, 2000) was a Czech-born film and stage actor with a successful career, first in Europe, then in the United States. His original name was František Lederer. Lederer's first American movies were Man of Two Worlds (1934), Romance in Manhattan (1934), with Ginger Rogers, The Gay Deception (1935), with Frances Dee, and One Rainy Afternoon (1936). He was cast as the lead with Katharine Hepburn in the 1935 film Break of Hearts, but the producers replaced him with Charles Boyer. It was Irving Thalberg's plan to make Lederer "the biggest star in Hollywood" but the death of Thalberg ended this possibility. Although he continued to play leads occasionally – notably when he was a playboy in Mitchell Leisen's Midnight with Claudette Colbert and John Barrymore in 1939 – in the late 1930s Lederer began to expand his character parts, even playing villains. Edward G. Robinson praised Lederer's performance as a German American Bundist in Confessions of a Nazi Spy in 1939, and he earned plaudits for his portrayal of a fascist in The Man I Married (1940) with Joan Bennett. He also played Count Dracula for The Return of Dracula in 1958. Throughout his career, Lederer, who studied with Elia Kazan at the Actors Studio in New York City, continued to take stage acting seriously, and he performed often both in New York and elsewhere. He appeared in stage productions of Golden Boy (1937), Seventh Heaven (1939), No Time for Comedy (1939), in which he replaced Laurence Olivier, The Play's the Thing (1942), A Doll's House (1944), Arms and the Man (1950), The Sleeping Prince (1956) and The Diary of Anne Frank (1958). Although he took a break from making films in 1941, in order to concentrate on his stage work, he returned to the silver screen in 1944, appearing in Voice in the Wind and The Bridge of San Luis Rey, and in films such as Jean Renoir's The Diary of a Chambermaid (1946) and Million Dollar Weekend (1948). He took another break from Hollywood in 1950, after making Surrender (1950), and returned in 1956 with Lisbon and the light comedy The Ambassador's Daughter. His final film appearance was in Terror Is a Man in 1959. During the 1950s, he served as honorary mayor of Canoga Park. He would continue to make television appearances for the next 10 years in such shows as Sally, The Untouchables, Ben Casey, Blue Light, Mission: Impossible and That Girl. His final television appearance occurred in a 1971 episode of Rod Serling's Night Gallery called "The Devil Is Not Mocked". In it, he reprised his role as Dracula from The Return of Dracula.
Movie | Cast | Year |
---|---|---|
Pandora's Box | Alwa Schön | 1929 |
Midnight | Jacques Picot | 1939 |
Susie Cleans Up | Robert | 1930 |
Voice in the Wind | Jan Volny / El Hombre | 1944 |
The Madonna's Secret | James Harlan Corbin | 1946 |
Stolen Identity | Claude Manelli | 1953 |
Million Dollar Weekend | Alan Marker | 1948 |
The Diary of a Chambermaid | Joseph | 1946 |
The Other Eye | Self | 1991 |
The Return of Dracula | Count Dracula | 1958 |
The Gay Deception | Sandro | 1935 |
Vincent Price's Dracula | Count Dracula - (archive footage) | 1986 |
Terror is a Man | Dr. Charles Girard | 1959 |
Confessions of a Nazi Spy | Kurt Schneider | 1939 |
The Bridge of San Luis Rey | Esteban / Manuel | 1944 |
Mother Hummingbird | Georges de Chambry | 1929 |
The Lone Wolf in Paris | Michael Lanyard | 1938 |
Captain Carey, U.S.A. | Baron Rocco de Greffi | 1950 |
A Woman of Distinction | Paul Simone | 1950 |
Dracula: A Cinematic Scrapbook | Count Dracula (archive footage) | 1991 |
The Wonderful Lies of Nina Petrovna | Lt. Michael Rostof | 1929 |
The Pursuit of Happiness | Max Christmann | 1934 |
One Rainy Afternoon | Philippe Martin | 1936 |
My American Wife | Count Ferdinand von und zu Reidenach | 1936 |
Romance in Manhattan | Karel Novak | 1935 |
The Man I Married | Eric Hoffman | 1940 |
Man of Two Worlds | Aigo | 1934 |
Maracaibo | Miguel Orlando | 1958 |
Lisbon | Seraphim | 1956 |
It's All Yours | Jimmy Barnes | 1937 |
Meineid | Karl Fenn | 1929 |
Screen Snapshots: Series 16, No. 12 | Self (uncredited) | 1937 |
Fundvogel | Jan Bergwall | 1930 |
Puddin' Head | Prince Karl | 1941 |
The Great Longing | Himself | 1930 |
The Road to Dishonour | Boris Borrisoff | 1930 |
Her Majesty Love | Fred von Wellingen | 1933 |
The Ambassador's Daughter | Prince Nicholas Obelski | 1956 |
Surrender | Henry Vaan | 1950 |
Adventures in Vienna | Claude Manelli | 1952 |
The emperor's detective | Dr. Wolfgang Crusius | 1930 |
Die seltsame Nacht der Helga Wangen | Werner Hilsoe | 1928 |
The Fate of Renate Langen | Gerd | 1931 |
Starlit Days at the Lido | Self | 1935 |
Memories of Berlin: The Twilight of Weimar Culture | Self - Interviewee | 1976 |
A Century of Science Fiction | Self | 1996 |
Refuge | Martin Falkhagen | 1928 |
1939: Hollywood's Greatest Year | Self (archive footage) | 2009 |
Atlantic | Peter | 1929 |
Series | Cast | Year |
Kraft Suspense Theatre | Dr. Jeremias Lipp | 1963 |
That Girl | Vittorio Barrini | 1966 |
Studio One | Rene d'Arcy | 1948 |
Night Gallery | 1970 | |
Mission: Impossible | Senko Brobin | 1966 |
Lux Video Theatre | Charles | 1950 |
Schlitz Playhouse of Stars | 1951 | |
Matinee Theater | 1955 | |
The Philco Television Playhouse | 1948 | |
Ben Casey | 1961 | |
Robert Montgomery Presents | Baron | 1950 |
Behind Closed Doors | Brauer | 1958 |
Blue Light | 1966 | |
Film Emigration from Nazi Germany | Self | 1975 |