+

poster of Decameron Nights
Rating: 5/10 by 4 users

Decameron Nights (1953)

Italian poet Boccaccio (Louis Jourdan) hides in the court of Fiammetta (Joan Fontaine) and tells three tales of love and lust.

Directing:
  • Hugo Fregonese
Writing:
  • George Oppenheimer
  • Giovanni Boccaccio
Stars:
Release Date: Tue, Jan 13, 1953

Rating: 5/10 by 4 users

Alternative Title:
Boccaccios Liebesnächte - AT
Tres historias de amor - ES
Lustans lön - SE
Pages galantes de Boccace - FR

Country:
Spain
United Kingdom
Language:
English
Runtime: 02 hour 09 minutes
Budget: $0
Revenue: $0

Plot Keyword: based on novel or book, poet, romance
Subtitle   Wallpaper   Watch Trailer    

Joan Fontaine
Fiametta / Bartolomea / Ginevra / Isabella
Louis Jourdan
Giovanni Boccaccio / Paganino / Guilio / Don Bertando
Binnie Barnes
Comtesse di Firenze / Nerina / Old Witch
Joan Collins
Pampinea / Maria
Mara Lane
Girl in Villa
Stella Riley
Chica en pueblo
Marjorie Rhodes
Señora Bucca
Godfrey Tearle
Ricciardo / Bernabo
Melissa Stribling
Chica en pueblo
Eliot Makeham
Gobernador de Mallorca
Noel Purcell
Father Francisco

CinemaSerf

Based on the hugely imaginative work of Giovanni Boccaccio, this is a rather lacklustre effort with Louis Jourdan taking the role of the acclaimed storyteller who is seeking shelter from the pursing troops of the invading Duke of Lorenzo. He has also learned of the location of his love "Fiametta" (Joan Fontaine) but upon arrival at the villa in which she, and four others (including a terribly wooden Joan Collins as "Pampinea") are hiding, he is only permitted to stay with them on the condition that he tells them a story each evening and that he doesn't try to seduce anyone. He agrees, but clearly plans to use his tales to arouse her ardour nonetheless. His stories challenge the strength of her morals, to varying extents: always a young woman married to much older man (always Godfrey Tearle) but the third story comes from the woman herself, and it offers an interestingly juxtaposed position to those presented in his, more opportune, depictions. The stories themselves challenge stereotypes of romance; the place of a woman in the home; the nature of love and honour and loyalty but the film itself falls well short. Fontaine is remarkably sterile and Jourdan, despite his mellifluous tones, lacks charisma. It takes for ever to get going and when we do, it all struggles to animate itself. Much like with Shakespeare, so much of the nuance of the narrative - the descriptive language that is subtle, funny and potent struggles to translate onto a screen at the best of times - and this isn't one of those. His works deserved a much more sensitive and competent adaptation for the screenplay. What we are left with here is just a confused romantic adventure with some seriously undercooked characters across the board. It runs beyond two hours, so there is no real excuse for this short-selling. Pity.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code