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poster of Curtain at Eight
Rating: 5.8/10 by 6 users

Curtain at Eight (1933)

An elderly detective sets out to find who murdered a lecherous stage actor. His estranged wife? His would-be fiancee? Her father? Her boyfriend? A suicided actress's sister? The temperamental prop man? Or maybe the show's talented female chimpanzee?

Directing:
  • E. Mason Hopper
Writing:
  • Edward T. Lowe Jr.
Stars:
Release Date: Sun, Oct 01, 1933

Rating: 5.8/10 by 6 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 08 minutes
Budget: $0
Revenue: $0

Plot Keyword: backstage, murder, whodunit

C. Aubrey Smith
Detective Jim Hanley
Sam Hardy
Capt. Martin Gallagher
Russell Hopton
Reporter Mooney
Ruthelma Stevens
Doris Manning
Hale Hamilton
J.K. Manning
Jack Mulhall
Carey Weldon
Syd Saylor
Mac MacIntosh, the prop man
Paul Cavanagh
Wylie Thornton
Natalie Moorhead
Alma Jenkins Thornton
Marion Shilling
Anice Cresmer
William Humphrey
Allison, addled actor
Herman Bing
Sam, stage director
Dot Farley
Ella, hefty actress
Arthur Hoyt
Watkins, theater watchman
Matthew Betz
"Lovely" Holmes
Walter Brennan
Backstage Detective [extra]

CinemaSerf

When "Wylie Thornton" (Paul Cavanagh), an actor who likes the company of women - not necessarily his wife - is shot at his own birthday party, we have no shortage of suspects. Detectives "Halliday" (Sam Hardy) and his sidekick "Hanvey" (C. Aubrey Smith) are soon drafted in to fathom it all out... Much of this is just a standard whodunit, and as we discover just how unpleasant "Wylie" actually was, we might also want to join the line-up of potential killers, too. What makes this a bit more fun is the dynamic between the two detectives. Hardy, the senior of the two, frequently comes up with half baked solutions whilst Smith proves the far more astute and considered of the pair, who largely lets his pal bask in the glory whilst he does all the work. Good to see Smith given a more substantial role - he plays it well, and there's also a fine contribution from Natalie Moorhead as the deceased man's somewhat clandestine widow "Alma". The writing is simple, but effective, the ending is quite quirky - almost vindicating the crime - and at just over an hour it sustains the suspense quite well...


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