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poster of The Hunchback of Notre Dame
Rating: 6.487/10 by 115 users

The Hunchback of Notre Dame (1923)

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Directing:
  • Wallace Worsley
  • William Wyler
  • James Dugan
  • Lon Chaney
  • Jack Sullivan
  • Robert Wyler
  • Charlotte Woods
Writing:
  • Chester L. Roberts
  • Victor Hugo
  • Edward T. Lowe Jr.
  • Perley Poore Sheehan
Stars:
Release Date: Thu, Sep 06, 1923

Rating: 6.487/10 by 115 users

Alternative Title:
El Jorobado de Nuestra Señora de Paris - ES
Der Bucklige von Notre Dame - DE

Country:
United States of America
Language:
No Language
Runtime: 01 hour 53 minutes
Budget: $1,250,000
Revenue: $0

Plot Keyword: paris, france, based on novel or book, death sentence, black and white, silent film, hunchback, notre dame cathedral, roma
Subtitle   Wallpaper   Watch Trailer    

Lon Chaney
Quasimodo
Norman Kerry
Phoebus de Chateaupers
Kate Lester
Madame de Condelaurier
Winifred Bryson
Fleur de Lys
Tully Marshall
El Rey Luis XI
Harry von Meter
Mons. Neufchatel
Nick De Ruiz
Mons. Le Torteru
Ray Myers
Charmolu's Assistant
Gladys Brockwell
Sister Gudule
John Cossar
Judge of the Court
Edwin Wallock
King's Chamberlain
Fred Behrle
Undetermined Role (uncredited)
Joe Bonomo
(uncredited)
Earl Gordon Bostwick
Undetermined Minor Role (uncredited)
Helen Broneau
(uncredited)
C.E. Collins
Undetermined Role (uncredited)
Jim Collins
Undetermined Role (uncredited)
Harry De Vere
(uncredited)
Louise Emmons
Old Woman on Staircase (uncredited)
Charles Farrell
(uncredited)
Al Ferguson
(uncredited)
Max Garnetz
(uncredited)
John George
(uncredited)
Eva Gordon
Casare Gravina (uncredited)
John Gough
Prisoner in Torture Chamber (uncredited)
Cesare Gravina
(uncredited)
Marion Gray
Woman at Ball (uncredited)
Charles Haefeli
Undetermined Role (uncredited)
Fred Herzog
Undetermined Role (uncredited)
Karl Holl
Man in Crowd (uncredited)
Alfred Hollingsworth
Undetermined Role (uncredited)
Harry Holman
Fat Man (uncredited)
Al Hoxie
Soldier (uncredited)
Jay Hunt
(uncredited
Arthur Hurni
(uncredited)
Paul Hurst
Emeralda's Torturer (uncredited)
John Impolito
Undetermined Role (uncredited)
Gladys Johnston
Bit Role (uncredited)
Bob Kortman
Hook-Hand (uncredited)
Louise La Planche
Baby Esmeralda (uncredited)
Ethan Laidlaw
(uncredited)
Eva Lewis
(uncredited)
Elmo Lincoln
(uncredited)
William Lloyd
Priest Escorting Rey Luis XI (uncredited)
Eric Mack
(uncredited)
Andy MacLennan
Bit Role (uncredited)
Harry Mann
Undetermined Role (uncredited)
Alex Manuel
(uncredited)
Louis Miller
Undetermined Role (uncredited)
Dorothy Mueller
Townswoman (uncredited)
William O'Rourke
Bit Part (uncredited)
Russ Powell
Undetermined Role (uncredited)
Albert Prisco
Undetermined Role (uncredited)
Walter Rodgers
Undetermined Role (uncredited)
Gilbert Roland
Extra (uncredited)
Eugene H. Roth
Undetermined Minor Role (uncredited)
Lou Salter
Undetermined Role (uncredited)
Nick Shaid
Undetermined Role (uncredited)
Jane Sherman
(uncredited)
Rene Traveletti
(uncredited)
Pearl Tupper
(uncredited)
Robert Wahlberg
(uncredited)
Malcolm Waite
(uncredited)
Fred Walker
Bit Role (uncredited)
Fanny Warren
Beggar Woman (uncredited)
Clarence Wilson
Undetermined Role (uncredited)

CinemaSerf

I reckon that this has to be the saddest of all love stories ever written - in any language! Although top billing goes to the pathetically grotesque Lon Chaney as the bell-ringer "Quasimodo", I think the plaudits must go to Patsy Ruth Miller as the persecuted gypsy "Esmerelda" in this 1923 adaptation of Victor Hugo's story. The score is hauntingly effective as both battle prejudice, jealousy and enmity from high and low society; with plots for revolution against the rather despotic rule of Louis XI never far from the theme. Chaney's make up is not great, even by the standards of the day, and it would not look out of place in a "Tarzan" film, but that matters little to the wonderfully evocative efforts from director Wallace Worsley to enshrine this classical story of lust, power and sadness to film, with a narrative that emphasises more of the emotional aspects of the story than many of it's successors. Particularly effective is the use of light and staging (partly Parisian, partly Californian) too. 2¼ hours may look long, but this positively flies by - rarely, if ever, making you want it to hurry up. Great stuff.


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