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poster of The Barefoot Contessa
Rating: 6.8/10 by 223 users

The Barefoot Contessa (1954)

Has-been director Harry Dawes gets a new lease on his career when the independently wealthy tycoon Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film.

Directing:
  • Joseph L. Mankiewicz
  • Bernard Vorhaus
  • Jean-Pierre Mocky
Writing:
  • Joseph L. Mankiewicz
Stars:
Release Date: Wed, Sep 29, 1954

Rating: 6.8/10 by 223 users

Alternative Title:
La condesa descalza - ES
A Condessa Descalça - BR
Çıplak Ayaklı Kontes - TR

Country:
United States of America
Italy
Language:
English
Italiano
Español
Runtime: 02 hour 08 minutes
Budget: $0
Revenue: $0

Plot Keyword: dancer, madrid, spain, count, millionaire, film director

Ava Gardner
Maria Vargas
Edmond O'Brien
Oscar Muldoon
Marius Goring
Alberto Bravano
Valentina Cortese
Eleanora Torlato-Favrini
Rossano Brazzi
Count Vincenzo Torlato-Favrini
Warren Stevens
Kirk Edwards
Bill Fraser
J. Montague Brown
Maria Zanoli
Maria's Mother
Renato Chiantoni
Maria's Father
John Parrish
Mr. Max Black
Diana Decker
Drunken Blonde
Riccardo Rioli
Gypsy Dancer
Margaret Anderson
Pretender's Wife
Bessie Love
Mrs. Eubanks
John Horne
Hector Eubanks
Ugo Mari
Cigar Smoker in the Night Club (uncredited)

CinemaSerf

Occasionally narrated by Humphrey Bogart, he regales us with his story as the down on his luck Hollywood writer/director "Dawes" who alights on a tavern dancer in Madrid. "Maria Vargas" (Ava Gardner) is a woman with striking good looks and an aloofness that he immediately sees stardom in. Luckily his spoilt rich-kid backer "Edwards" (Warren Stevens) agrees to give her a screen test, but a combination of his own fecklessness and some competitive manoeuvring from "Dawes" creates quite an interest, an interest well fanned by PR man "Muldoon" (Edmond O'Brien). We know right from the start that she has died - we turn up at her funeral - and this film has something of a piece of musical vinyl to it. The first half side illustrates her rise to fame and fortune, her marriage and her death. Flip it over and we get a tale of just how she fell in love with "Count Torlato-Favrini" (Rossano Brazzi) and ultimately came a cropper. The constant being the increasing affection "Dawes" and "Vargas" share as their professional paths diverge and their friendship - entirely platonic - solidifies. Gardner could look quite cold sometimes on screen, but here she and Bogart exude a certain warmth through their characters, goaded nicely by the increasingly exasperating and brattish "Edwards" and also by the rather cruel and bullying "Bravano" - another solid effort from Marius Goring. It takes quite a swipe at the film industry - people obsessed with finding the pot of gold at the end of the rainbow - regardless of whether there's any gold or any rainbow, and the threads tie rather poignantly, if a little sadly, at the conclusion. It's a stylishly photographed production that looms great and showcases a strong ensemble of talent.


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