The Lady from Shanghai (1947)
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
- Sam Nelson
- Orson Welles
- William Castle
- Arthur Marks
- Dorothy B. Cormack
- Virginia Van Upp
- Orson Welles
- Sherwood King
Rating: 7.345/10 by 655 users
Alternative Title:
La dama de Shangai - ES
Die Lady von Shanghai - AT
De dame uit Shanghai - BE
Дамата от Шанхай - BG
Kvinden fra Shanghai - DK
Nainen Shanghaista - FI
I kyria ap' ti Sangai - GR
A sanghaji asszony - HU
La signora di Shanghai - IT
Sanghayli Kadin - TR
Dama z Szanghaju - PL
Lady från Shanghai - SE
A Dama de Shangai - BR
A Dama de Shanghai - BR
A Dama de Xangai - BR
상하이에서 온 여인 - KR
Country:
United States of America
Language:
广州话 / 廣州話
English
Runtime: 01 hour 27 minutes
Budget: $2,300,000
Revenue: $1,564,609
Plot Keyword: new york city, shanghai, china, court, aquarium, san francisco, california, yacht, insurance fraud, romantic rivalry, blonde, film noir
This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She was taking a cab through the park one night when accosted by robbers. "Michael" was passing and came to the rescue. Next thing "Bannister" is asking him to come work on their luxury yacht. Clearly, he is attracted to the wife and soon a rather complex game is afoot - but who is playing whom? Meantime, "Grisby" *Glenn Anders) - the partner of "Bannister" in their law firm tries to embroil "Michael" in a rather cunning wheeze to create a corpse-less crime enabling him to flee his overbearing wife and claim some insurance money. It isn't long before the corpses do start to pile up and "Michael" is front and centre in the courtroom defended by "Bannister" for murder. Who actually did the killing, though? The film is very much at it's best with a strong performance from Hayworth, Welles and Sloane all playing against each other. I found the parallel plot to all be just a bit far-fetched. The ending is cracking, though - and though perhaps I felt there was a little injustice in it, it works really well. The production looks great, Hayworth dons her sailor's cap with panache and though a bit lumbering, Welles gels quite well with her as we progress. Good film, this.
