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poster of The Trollenberg Terror
Rating: 4.7/10 by 90 users

The Trollenberg Terror (1958)

An American investigator for the U.N., a German scientist and a British reporter join forces to investigate a series of disappearances and mutilation-deaths confined to a Swiss Alp and involving a thick, mobile cloud, a telepathic girl, an animate dead man, and tentacled, cyclopean beings from another planet.

Directing:
  • Quentin Lawrence
Writing:
  • Peter Key
  • Jimmy Sangster
Stars:
Release Date: Mon, Jul 07, 1958

Rating: 4.7/10 by 90 users

Alternative Title:
The Crawling Eye - US
I mostri delle rocce atomiche - IT
Mysteriet Trollenberg - SE
Creature from Another World - US
The Crawling Eye - NL

Country:
United Kingdom
Language:
English
Runtime: 01 hour 24 minutes
Budget: $0
Revenue: $0

Plot Keyword: monster, switzerland, mountain, cloud, alien life-form, radioactivity, psychic power, decapitation, trance, subzero, mountain climbing, observatory, mind reading act, fire bombing, cable car, animated corpse, mountain rescue, molotov cocktail, isolated hut
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John Chard

The Crawling Eye. The filmic adaptation of a 1956 UK TV serial of the same name, The Trollenberg Terror is a whole bunch of fun and not deserving of the stinker reputation it has in some sci-fi loving circles. Action is set in Trollenberg, Switzerland and concerns a creature from outer space that has taken residence in a radioactive cloud atop of the Trollenberg mountain. As the bodies start to pile up and various climbers go missing on the mountain, the United Nations send a boffin to help the local scientists to hopefully solve the mystery. The effects work has been the source of some disdain, and in truth it’s poor but not the worst from the 1950s pantheon of “B” schlockers. The back projection scenes are crude, but again in keeping with the fun aspects of the genre and era. However, Jimmy Sangster’s screenplay is tight and produces brainy conversations and strong sequences. Horror comes by way of headless bodies turning up and that once sane people turn into maniacs as “the terror” weaves its magic. On the normal human side the narrative is given a boost by Janet Munro’s (excellent) telepathic darling, something which troubles the visitors greatly and puts her in grave danger. The psychological aspects of the story mark this out as a genre piece of worth. Elsewhere director Quentin Lawrence does a study job with what is available to him, Forest Tucker is the hero in waiting, playing it reserved like, and Warren Mitchell proves good foil for Tucker and the Terror! It’s not a great film, but it is a good one, let down in some tech departments for sure, but strengths elsewhere make up for its flaws. 7/10


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