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poster of These Three
Rating: 7.189/10 by 37 users

These Three (1936)

Close friends Martha and Karen build a private boarding school together with the aid of the local doctor Joe. The school takes off and many students enroll, one of whom is a trouble-maker who tells a scandalous lie that threatens to destroy the trio's lives.

Directing:
  • William Wyler
  • Walter Mayo
Writing:
  • Lillian Hellman
  • Lillian Hellman
  • Lillian Hellman
Stars:
Release Date: Wed, Mar 18, 1936

Rating: 7.189/10 by 37 users

Alternative Title:
The Children's Hour - US

Country:
United States of America
Language:
English
Runtime: 01 hour 33 minutes
Budget: $0
Revenue: $0

Plot Keyword: blackmail, lie, scandal, spoiled child, teacher, school, schoolgirl

Miriam Hopkins
Martha Dobie
Merle Oberon
Karen Wright
Joel McCrea
Dr. Joseph 'Joe' Cardin
Alma Kruger
Amelia Tilford
Marcia Mae Jones
Rosalie Wells
Joan Barclay
Schoolgirl (uncredited)
Al Bridge
Mrs. Walton's Chauffeur (uncredited)
Sally Conlin
Schoolgirl (uncredited)
Marie Louise Cooper
Helen Burton (uncredited)
Frank McGlynn Sr.
Judge (uncredited)
Greta Meyer
Viennese Waitress (uncredited)
Tommy Bupp
Boy on Merry-Go-Round (uncredited)
Lottie Williams
Concerned Townswoman (uncredited)

CinemaSerf

Rarely, if ever, do I rate the child as the star of a film, but Bonita Granville is very, very good as the odious, obnoxious, hateful, spiteful, spoiled "Mary" in this story of two teachers - Merle Oberon and Miriam Hopkins - who fall for the doctor - Joel McCrea. When these old friends try to discipline the ghastly child for persistent lateness, she flees to her wealthy grandmother and concocts a story designed to destroy their careers and their happiness. It's a simple story, well told, that conveys clearly the perils of telling lies. The lead performances are super, and well supported by Catherine Doucet; Alma Kruger as the doting grandmother and "Miss Gulch" herself - Margaret Hamilton - as the maid who sees through the child right from the outset. There are some fairly hefty alterations to Lillian Hellman's original play; the relationship between the women is entirely platonic in the film which was not the case on stage, but that's no great surprise given the commercial necessities of the time and it is still well worth a watch.


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