+

poster of Kimi
Rating: 6.224/10 by 863 users

Kimi (2022)

A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.

Directing:
  • Jody Spilkoman
  • Alina Gatti
  • Scott Peterson
  • Jeremy Silveira
  • Steven Soderbergh
Writing:
  • David Koepp
Stars:
Release Date: Thu, Feb 10, 2022

Rating: 6.224/10 by 863 users

Alternative Title:
키미 - KR
KIMI - US
冷酷不够热 - CN
冷感酷女孩 - HK
不够热的冷酷感 - MO
KIMI サイバー・トラップ - JP
聲控KIMI - TW
Кими - RU
Кими - RS
Kimi: Alguém Está Escutando - BR
Kimi: Alguien está escuchando - AR
Kimi - Qualcuno in ascolto - IT

Country:
United States of America
Language:
English
Runtime: 01 hour 29 minutes
Budget: $3,500,000
Revenue: $0

Plot Keyword: seattle, washington, agoraphobia, mental illness, virus, covid-19

Zoë Kravitz
Angela Childs
Byron Bowers
Terry Hughes
Jaime Camil
Antonio Rivas
Erika Christensen
Samantha Gerrity
Derek DelGaudio
Bradley Hasling
Robin Givens
Angela's Mother
Jacob Vargas
Glasses Thug
Rita Wilson
Natalie Chowdhury
Sarai Koo
Jessica Hasling
Koya Harada
Bradley's Son
George Evans
Neighbor Husband
Sheila Evans
Neighbor Wife
Sebastian Evans
Neighbor Kid
Henrich Evans
Neighbor Kid
Betsy Brantley
Kimi (voice)
Alyana Gomez
News Anchor
Brian Flores
News Anchor
Patrika Darbo
Southern Woman (voice)
Cheyenne Nguyen
Teenage Girl (voice)
Andrew Daymer
Young Boy (voice)
Alex Dobrenko
Darius Popescu
David Wain
Angela's Dentist
Andy Daly
Christian Holloway
Jamie Baer
Chowdhury's Assistant
Emily Kuroda
Dr. Sarah Burns
Alina Gatti
Amygdala Intercom
Caleb Emery
Tech Hub Worker
Erica Matthews
Boisterous Woman
Megan Gotz
Boisterous Woman
Raymond Power
Guy in Suit
Brenna Wagner
Blonde Woman
Conner Marx
Man with Umbrella
Lauryn Scoon
Girl at Burrito Truck
Luca De Massis
Driver (uncredited)

Manuel São Bento

MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed themes. Technologically, the proximity of this world to ours is frighteningly realistic, but the attempts to tackle agoraphobia and invasion of privacy aren't all successful. The protagonist's arc focuses on her ability to overcome past trauma, something that is mostly well-done. However, the abrupt conclusion of the whole story not only lessens and simplifies PTSD but raises numerous plot-related logical questions, in addition to a moral one concerning stalking. It will likely create some division within the general audience." Rating: C

Robert Grawey

NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.

Robert Grawey

Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a little more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code