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poster of Crash
Rating: 6.4/10 by 1100 users

Crash (1996)

After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.

Directing:
  • David Cronenberg
  • Tom Quinn
  • Michele Rakich
  • David Webb
Writing:
  • J.G. Ballard
  • David Cronenberg
Stars:
Release Date: Wed, Jul 17, 1996

Rating: 6.4/10 by 1100 users

Alternative Title:
Crash 1996 - US
超速性追緝 - TW
慾望號快車 - HK
크래쉬 - KR
Автокатастрофа - RU
David Cronenberg s crash - IR
Estranhos Prazeres - BR
Crash - ES

Country:
Canada
United Kingdom
Language:
English
Runtime: 01 hour 40 minutes
Budget: $9,000,000
Revenue: $2,671,855

Plot Keyword: dying and death, adultery, husband wife relationship, based on novel or book, sexual obsession, pain, sadism, sexuality, obsession, fetish, eroticism, car journey, fetishism, wound, masochism, deceived husband, cult, hospital, car accident, car wreck, erotic, anti-social behaviour, romantic, symphoriphilia
Subtitle   Wallpaper   Watch Trailer    

James Spader
James Ballard
Holly Hunter
Helen Remington
Deborah Kara Unger
Catherine Ballard
Peter MacNeill
Colin Seagrave
Cheryl Swarts
Vera Seagrave
Yolande Julian
Airport Hooker
Markus Parilo
Man in Hanger
Alice Poon
Camera Girl
David Cronenberg
Auto Wreck Salesman (voice) (uncredited)

talisencrw

One thing has to be said in my fellow Canadian David Cronenberg's favour--At least for the first 25-or-so years of his filmmaking career, he has always been one of the most surprising and brilliant minds of 'body-related horror', and from every conceivable angle. What other mind--out of 7 billion possibilities--could have come up with this, the combining of erotic pleasure with car crashing? He sure must have been an interesting catch in his early dating years, for the adventurous women out there...

JPV852

I don't have a whole lot of experience with David Cronenberg's films and this is the first of his I've watched in a long time. Pretty obvious with the symbolism he was after but this isn't something I particularly engaged with despite the committed performances from the cast, although Elias Koteas was creepy good. No real plot with this one and by the end, while a unique movie for sure, not really sure I have much desire to watch again (at least anytime soon). **3.0/5**


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