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poster of Morvern Callar
Rating: 6.634/10 by 148 users

Morvern Callar (2002)

After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.

Directing:
  • Lynne Ramsay
  • Karoline Blohm
  • Mark Fenn
  • Ana Gallardo
  • Rufus Rawley
  • Nic Shearer
  • Anthony Wilcox
  • Mary Haddow
  • Michael Elliott
Writing:
  • Lynne Ramsay
  • Liana Dognini
  • Alan Warner
Stars:
Release Date: Fri, Nov 01, 2002

Rating: 6.634/10 by 148 users

Alternative Title:

Country:
Canada
United Kingdom
Language:
Español
English
Runtime: 01 hour 37 minutes
Budget: $0
Revenue: $0

Plot Keyword: suicide, spain, based on novel or book, supermarket, scotland, best friend, writer, woman director, christmas
Subtitle   Wallpaper   Watch Trailer    

Samantha Morton
Morvern Callar
Kathleen McDermott
Lanna Phimister
Carolyn Calder
Tequila Sheila
Steven Cardwell
Welcoming Courier
Bryan Dick
Guy with Hat's Mate
El Carrette
Gypsy Taxi Driver
Mette Karlsvik
Sick Girl / Bikini Girl
Andrew Knowles
Green Boy #1
Ruby Milton
Couris Jean
Paul Popplewell
Guy with Hat
Mischa Richter
Rick, the American Courier
Vito Rocco
Swimming Pool Courier
Matthew Townend
Green Boy #2
Andrew Townley
Creeping Jesus
Yolanda Vazquez
Spanish Mother
James Wilson
Tom Boddington
Linda McGuire
Vanessa (uncredited)
Andy Hazel
Dancer in Club (uncredited)

CinemaSerf

Samantha Morton is the eponymous, bored, supermarket check out girl whose boyfriend commits suicide. She hides his body, takes his money - and a book that he had recently completed and along with her best friend, sets off on some travels. Initially around a wet and windy Scotland before heading to Spain for some fun. My issue with this rather dreary introspective is that neither she, nor her pal interested me in the slightest. Morton's performance is actually quite good; and her life of drugs, sex and lack of fulfilment may well have been the depiction of a labour of love from director Lynne Ramsey and co-author Liana Dognini, but as a piece of engaging cinema it fails completely. I don't doubt that there are many people for whom this is a manifestation of their psychological difficulties - an inability to form any kind of meaningful relationship - on any level - with anyone else; but it is presented in such a drab, pedestrian fashion that even some grand cinematography of the Balearic scenery does little to lift it from the doldrums.


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