+

poster of The Go-Between
Rating: 6.8/10 by 131 users

The Go-Between (1971)

British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

Directing:
  • Joseph Losey
Writing:
  • Harold Pinter
  • L.P. Hartley
Stars:
Release Date: Wed, Jun 16, 1971

Rating: 6.8/10 by 131 users

Alternative Title:
El mensajero - ES
Budbäraren - SE
Le Messager - FR

Country:
United Kingdom
Language:
English
Runtime: 01 hour 56 minutes
Budget: $100,000
Revenue: $0

Plot Keyword: countryside, based on novel or book, england, forbidden love, cricket, birthday party, norfolk, 1900s
Subtitle   Wallpaper   Watch Trailer    

Julie Christie
Lady Marian Trimingham
Alan Bates
Ted Burgess
Edward Fox
Hugh Trimingham
Michael Redgrave
The Older Leo Colston
Dominic Guard
The Young Leo Colston
Michael Gough
Mr Maudsley
Richard Gibson
Marcus Maudsley
Jim Broadbent
Spectator at Cricket Match (uncredited)
Joshua Losey
Boy in Village (uncredited)
Arnold Schulkes
Servant (uncredited)
Carl Dane
Coachman (uncredited)

CinemaSerf

Sadly, time has not been very kind to the potency of this film. In 2020s society, the overwhelming feeling of "so what?" is hard to shake off; despite some really strong performances. Dominic Guard is "Leo", just 13 when he is invited to summer at the Norfolk country home of one of his classmates. He quickly befriends his older sister "Marian" (Julie Christie) and is soon acting - innocently, at first - as her courier passing ostensibly harmless letters between herself, her fiancée "Hugh" (Edward Fox) and a swarthy tenant farmer "Ted" (Alan Bates). Guard is great as the young man who starts to put two and two together as he slowly gets caught up in this menage-à-trois whilst trying to accommodate his own sexual awakening. His own naive inquisitiveness gives his character an engaging and frustrating quality that we might all have related to, once upon a time. Losey's pace is off, though - it can be quite a slow burn at times and, unusually, I found the score from Michel Legrand quite distractingly repetitive. The cinematography showed off the locale to perfection and the dialogue from LP Hartley via Harold Pinter succinctly demonstrates class distinction and prejudice well.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code